A large percentage of my favorite shows tend to be ones that have been on for a few seasons. That being said, there were a few shows that premiered this fall that really stand out in my mind–plus a handful that I think really hit their strides in 2011.
1. Grimm (NBC)
NBC’s Grimm is, at its heart, a police procedural. The main difference here is that the suspects are all critters that inspired fairy tales and the cop is the last Grimm, essentially a criminal profiler who specializes in things that go bump in the night. What separates Grimm from its “ripped from the pages of fairy tales” cousin, Once Upon a Time, is the former show’s premise that, while fairy tales may not be real, the monsters that inspired them are.
2. Young Justice (Cartoon Network)
DC has long been the champ of television animation. Young Justice follows in the footsteps of classics like Batman: The Animated Series, Superman: The Animated Series, and Justice League Unlimited. Unlike these older shows, Young Justice exists in a separate universe, one where superheroes are relatively new and Batman assembles a covert team of teen sidekicks to go on missions that are too sensitive for the higher profile heroes to handle.
3. Unforgettable (CBS)
The premise–a detective who remembers everything she sees–may be a little ridiculous, despite being based on an actual condition, but Unforgettable is a fun little show with an appealing cast of characters. Bonus points may have been added for a main character who is (a) not under 25 years old and (b) played by Poppy Montgomery.
4. Happy Endings (ABC)
I’m not really sure how I missed the first season of Happy Endings, but I did. (Actually, I think it might have had something to do with a lot of chatter about it being similar to a certain sitcom about the epic tale of the search for a female parental unit and, if there’s one thing that bores me, it’s something created solely to suckle at the teat of something that’s already an established success.) Anyways, Happy Endings is thoroughly charming and one of the few genuinely funny sitcoms out there.
5. Person of Interest (CBS)
I grew up watching shows like The A-Team, Knight Rider, and The Equalizer, so a show where Ben Linus and Jesus use a top secret super-computer to fight crime is right up my alley.
6. Up All Night (NBC)
I’m not going to talk about the state of the sitcom on NBC. We all know what happened, so there’s no reason to open up old wounds. That being said, Up All Night is a winner and, despite the programming hoopla, deserves every last ounce of faith that the network has seen fit to bestow upon it.
7. Whitechapel (BBC America)
Whitechapel could have easily taken the Sherlock route and simply presented itself as a modern retelling of the Jack the Ripper crimes. Instead, Whitechapel is a modern police drama in every sense, except in the stories it decides to tell. The first series focussed on a suspect who was meticulously recreated Jack the Ripper’s murders, while the following series tells the story of the heirs to ’60s mobsters Reggie and Ronnie Kray.
8. Parks and Recreation (NBC)
Neither of these shows really blew me away when they premiered, but 2011 became “The Year I Learned to Love Them.” I can’t pick a moment when Community finally clicked for me. Parks and Recreation, however, won me over during its third season with the Leslie/Ben storyline and the April/Andy storyline (man, I hated those two characters until they got together and became adorable).
9. Downton Abbey (PBS)
The show for which the phrase “All British and shit” was invented. Created by Julian Fellowes, Downton Abbey has much in common with Gosford Park, which was written by Fellowes. Set prior to the outbreak of World War I, when the British aristocracy was slowly losing ground (figuratively and literally) to the growing middle classes, Downton Abbey is as much social satire as anything written by Jane Austen or Charles Dickens. Also, where else can you see Professor McGonagall and Harriet Jones, Prime Minister (yes, we know who you are) snipe at each other for hours on end?
10. Covert Affairs (USA)
If you liked Alias, but thought that running around trying to find giant balls of mysterious red liquid was a little too pulpy, then Covert Affairs might be for you. If you ignore the oh-so-very-pretty cast (or don’t, it’s your call), Covert Affairs presents a fairly accurate portrayal of what I think being a spy is really like, from the inter-departmental backbiting to the boring stretches of downtime during an op.