The gang over at Fantastic Fangirls declared September to be Revisit Month. With so much new stuff coming out every damn day, I don’t always get a chance to go back and re-read favorite books; however, as luck would have it, I happened upon the Astonishing X-Men Omnibus and couldn’t resist giving Joss Whedon and John Cassaday’s epic run another read.
I remember when I first heard that Whedon would be writing X-Men. I was pretty much on board before I finished reading the sentence. Then I found out that Whedon’s team would include Kitty Pryde–neither that fact nor my reaction to that fact should surprise anyone who’s been paying attention. All I had to do was sit back and wait.
Astonishing X-Men came along at a time when I had all but given up on the X-Men. But, as a Whedon fan, I figured I couldn’t go wrong checking out the first issue–even if it meant putting up with Emma Frost (more on that later). I wasn’t disappointed. And, even when I was disappointed, I felt Astonishing X-Men was still better than a lot of other books I was reading. Now that I’ve read the entire run again, I can say that the thing holds up. In fact, it’s possible that I enjoyed it even more the second time.
Since I already sort of knew what was going to happen–mutant cure, Breakworld, Cassandra Nova, S.W.O.R.D.–I was able to focus more on the smaller things. The character moments. Case in point: I hate Emma Frost. A lot. She was the villain in the very first X-Men story I ever read and, no matter how heroic she may or may not be these days, when I look at her I see a villain. However, when Whedon pairs Frost with Kitty Pryde (who, coincidentally, shares my feelings towards Miss Frost)–
–the resulting scenes are pure gold:
(I could easily sit here and do nothing but post images from Astonishing X-Men of Kitty being awesome…but, I won’t. I swear. Moving on…)
Whedon probably could have swept in and done whatever crazy-ass shit he wanted with this book. He’s a name. The book would probably sell solely on that. However, Whedon–a geek at his core–found time to pay homage to the history of these characters, whether it’s the return of the Fastball Special:
or a nod to a classic panel from Uncanny X-Men 132:
Of course, that isn’t to say that Astonishing X-Men didn’t bring anything new to the table. There was Danger–the physical embodiment of the X-Men’s Danger Room–a storyline which left me somewhat cold during the book’s initial run but was slightly less annoying when it was just a small part of the larger narrative. There was the whole thing about Cyclops losing his powers and essentially becoming Wesley from the later seasons of Angel:
I’m still trying to figure out exactly why this happened. Scott’s lack of control over his incredibly destructive power has always been an important part of who he is as a character, especially when it plays off of the fact that Scott is a huge control enthusiast, so not being in control of his own power must really suck for him. But, I don’t really see that happening this time. Really, the only reason I can think for this to have happened in Astonishing was to have Scott run around with a gun for a while and then to have an awesome four-page-long optic blast:
But, I think the greatest thing that Whedon and Cassaday’s Astonishing X-Men brought to the table can be summed up in two words: Abigail Brand. The agent in charge of S.W.O.R.D., another of Marvel’s Amazing Acronym Agencies, Brand’s tasked with keeping Earth safe from alien threats. Also, she apparently has a thing for furry blue guys:
I’m really amazed at how much more I enjoyed Astonishing X-Men the second time. I honestly thought I had experienced maximum enjoyment the first time around…but, I was wrong. Sure, like everyone else, I loved Wolverine’s time as Percy Dovetails (MOOSE!!) and the reunion of Kitty and Colossus choked me up more than a little bit. And, yes, the ending positively killed me. But, something just didn’t click when I was reading it in single issues–a huge chuck of which came out bimonthly. No. I wasn’t truly astonished until I was able to sit down and read the story from the first page to the last in a single (well, okay, double) sitting.